Historically speaking, tour opening shows for Phish are
rarely the highlights of said tour or year. Yet occasionally you get shows like
7/15/98 or 9/9/99 where they’re surprisingly strong right out of the gate,
possibly because they hadn’t been off the road for that long (in the case of
7/15/98, not even a week off!). No need to keep you in suspense but I think
2/14/03 is overlooked as a fantastic tour opener, and it rings in the true
arrival of 2.0.
Set One
This show starts off with a nod to Valentine’s Day as well
as a debut cover that nods to their cover story in Rolling Stone magazine
before we really get cooking. Chalk Dust Torture lets Trey loose and continues
the high energy, focused soloing from the previous show. Then there’s Fee! This
version gets jammed out and spacey, including a full segue into Taste (which
for some reason in my head I kept thinking was Free so that it’d be Fee ->
Free). Trey is a little shaky and inaudible with his guitar playing at the
start of Taste but the jam segment is more potent and a bit looser than
normal—not at all type II but kept my attention more than the standard Taste. The
jam times continue to roll with Bathtub Gin, which I’ve now heard a few times
already in this retrospective review series. This is by far the best Gin of 2.0
(so far), setting an immediate high bar for the rest of the tour and year. This
is like a modern/2.0 cousin to the legendary Great Went Gin, very fluid and bouncy
and uplifting. Heavy Things is in my opinion a real dull thud of a song to
follow with, so I was happy they closed with Golgi Apparatus.
Set Two/Encore
Something about these setlists is weird to me; I understand
opening with My Sweet One to acknowledge Valentine’s Day but Possum to me is
always a set closer or encore kind of song. Anyway it serves its purpose well,
nothing too remarkable. The energy and especially the jamming reach a new
height with Walls Of The Cave. This rare type II version is, along with the
first set’s Fee and Gin, the birth of the 2.0 jamming sound. WOTC takes awhile
to get there, and it isn’t as focused as future 2.0 behemoths, but it’s by far
the best and most interesting jam I’ve heard in this series so far. There’s a
fun grinding/chaotic segue into Carini that resolves the jam nicely. Carini is
a bit slow and sludgy, though, and Trey holds back on the short jam. All Of
These Dreams serves its purpose as a mid-set breather. Limb By Limb, while not
an all-timer, has a focused and patient jam segment that shows now that the
band has their shit back together they will not sleepwalk through songs. A fun and
a bit sloppy Oh Kee Pa slams into AC/DC Bag, which also feels like weird
setlist placement, close to the end of set II.
(A quick aside, if you’re wondering what on earth happens: a
fan jumps on stage during the composed part of AC/DC Bag and interrupts a lyric
to say he loves someone and to either wish them happy birthday or Valentine’s
Day; it’s hard to hear. This freak occurrence seems to influence where the Bag
jam goes)
Anyway, this one has one of the most unique jams I’ve heard
from Phish. This Bag is nothing like even other type II versions like Hampton ’97
or the recent NYE ’23 version, with Trey stepping back and playing mostly just
simple patterns and staccato rhythmic playing while Mike and Page try to figure
out a place to go. Instead the jam stays in place for a few minutes before
getting more quiet and sparse and a full-on segue into Prince Caspian. I don’t
know if this is a great Bag but it’s certainly a weird one and a must hear for
people seeking out jams that are non-standard. Anyway, Caspian is ok and has a
weird ambient ending I haven’t heard before. The set as a result kind of
just…peters out. Loving Cup, the final Valentine’s nod, closes out the show
with an exclamation point after the weird trail off into ellipsis that was the
end of the second set.
Overall
I said in the last review that the show was all sizzle and
no steak, well, they certainly brought the steak to California for this show!
Even moreso than 1/4/03, this show proved that Phish was back and trying new
things. For a tour opener it’s incredible how strong it is; this didn’t at all
feel like they’re warming up for a night and the jams are still coming. I’ve
previously heard about half of the Winter ’03 tour and I can see why some
people say it’s very consistent and one of the most underrated tours. 2/14/03
really brought the jams, and the rest of the playing was of high quality, too.
The song selection and setlist placement is a little wonky and threw me off at
first, though honestly on subsequent listens I like them trying new things like
Possum opening a set or a quiet, peter-out ending to Caspian. I’m ALMOST
tempted to give this show a 5 out of 5 but for as strong of a show as it is, I
don’t think the overall experience quite gets there. The jams, while either nascent
deep/fresh 2.0 jams or high energy rocking fun like Gin or Limb By Limb, most
likely aren’t going to be among the best versions of the year. I do highly
recommend this show, and it’s easily the best I’ve heard in this review series
so far, but there just isn’t that X factor that tips the scales to 5 out of 5
or a S out of 5.
[Highlights]
Set One: Fee -> Taste, BATHTUB GIN
Set Two/Encore: WALLS OF THE CAVE, AC/DC Bag jam
No comments:
Post a Comment