Monday, May 20, 2024

Phish 1/4/03


 

Given the extremes of the last show, it was nice to get back to something normal with this one. While I will say that this New Year’s run of shows wasn’t outright bad, listening through them will confirm for you why you don’t see people talk about them. Anyway, 1/4/03 is probably the most consistent of the NYE run, as both sets are well played and feature at least two well played songs/jams.


Set One

This is a strong first set that starts out pretty good and gets better by the end. Especially compared to the previous show’s first set, this one is mostly tight and locked in, with just a couple flubs from Trey here or there. Roggae has some killer soloing from Trey and stands out a bit above the average version. Maze is a typical heater; high energy with Trey’s solo section a bit more droney and holding onto notes than is the standard. Saw It Again makes a rare appearance, but the real set highlight is the Split Open and Melt. This jam more than any other hints at where 2.0 is going with the jamming style, as it’s as intense as the usual Melt but uses more loops and spacey/droney playing from Trey and Mike. In all likelihood it won’t be one of the highlights of the year but as far as 2.0 shows so far, this Melt is the top of the pile and a must listen for 2.0 spelunkers like me.

 

Set Two/Encore

Not in terms of the jamming or anything else except the setlist itself, it’s really stark how set one has NO segues at all and set two is mostly all one continuous set of music. Yet as the saying goes, the tale is in the tape not the setlist. This set is a clear indicator that they’re getting their mojo back. Good but not noteworthy Rock and Roll opener, fairly standard Mike’s with a cool semi ambient ending/outro; full segue into Mountains In The Mist with an amazing Trey solo worth seeking out, sort of quiets down and stops IMO before Weekapaug starts up from zero (this song always sounds so awkward when it doesn’t arrive on a segue) and is a good high energy version that dips its toe into type II toward the end; full on segue into What’s The Use? (which in some ways could be used like I Am Hydrogen in a Mike’s Groove) which has a quiet ambient ending that segues into a rip-roaring Down With Disease, which, while not very experimental and barely over ten minutes in length, has some killer playing from Trey throughout including a cool, unique wah wah pedal loop segue into Fast Enough For You, which like so many songs from this set has an astoundingly good Trey solo in it (legit one of the best FEFY performances); after FEFY the song seems to have ended and the Phish.net setlist says there isn’t a > segue into 2001 but IMO there is one it’s just quiet and lowkey. This 2001 is actually one of the more short and tired sounding versions I’ve ever heard, and the big rock vamp endings mentioned on the setlist notes isn’t as fun or interesting as you’d expect.

Friday encore ON PAPER looks like trash. I can’t stand this song typically, let alone as the encore to cap off a run of shows…but GOD DAMN this is the best version and everyone else who says so is right. Trey was absolutely brilliant with his solos this show overall but especially second set and encore!

 

Overall

After finishing this show for the first time I scribbled “All sizzle and no steak, but it’s great sizzle.” I believe that’s a good summary! This was the best of the NYE run overall. There maybe were some moments especially on NYE itself that were more memorable, such as the jammed out Piper opener and the Runaway Jim -> Time Loves A Hero, but this show actually sounds like a real Phish show and has excellent, energetic playing in both sets. Gotta go with a 4 out of 5. Trey really stepped up his game since the last show but with a few exceptions there simply isn’t anything here that is noteworthy and will be on lists of greatest jams or shows ever from this period.

 

[Highlights]

Set One: Roggae, Maze, and Split Open and Melt especially!

Set Two/Encore: Strong set overall, Trey’s playing/soloing was on point throughout especially on the ballads like FEFY and Friday.

 

 

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