I turned 30 on February 18th. I want to celebrate this, and get myself back into writing, by spending a few weeks rambling about the 30 things that have meant the most to me over the years. These will be from music, movies, books, videogames, and maybe even art and other things for good measure. I feel like my life has been much more about the things I've experienced than it has the people I've known or the places I've traveled to, and these 30 things have helped to make my 30 years more than worth all the innumerable bad things. Expect heartfelt over-sharing and overly analytical explanations galore! In part 15, we consider what weird means and why treating children like adults can make for a show that appeals to adults.
When we use the word 'weird' to describe something, it's usually
because we can't think of a better descriptor. The first time I heard
about
Aqua Teen Hunger Force
it was described to me as “a weird show”, which doesn't even
begin to explain it. What's more, depending on the context,
'weird' can denote something that is good or bad, making it akin to
'interesting' in that regard. For example, I would call Animal
Collective's
Centipede Hz
weird and interesting in bad ways, and I would call Werner Herzog's
The Bad
Lieutenant: Port Of Call New Orleans
weird and interesting in good ways.
Since 'weird' has no inherent
positive or negative value, and it can be used in vague ways when you
can't think of other better words to use instead, it becomes a little
frustrating when I say that I tend to like weird things. What does it
really mean to like weird things? After all, each person's idea of
what constitutes weird is different, and things can be weird in
different ways, too. So before this spirals further into
philosophical musings on weirdness, I'd like to take a trip back to
the early 90s, when I encountered the first weird thing I can
remember loving, a live action TV show that led me to develop a
lifelong passion for weird things. I figure if I can't precisely
define my idea of weird and why I love weird things, I might as well
start at the beginning.
I don't think I would be the person I am today if I hadn't been at
just the right age to see
The Adventures Of Pete & Pete.
It influenced everything from my sense of humor to my skewed way of
seeing the world to even my taste in music. I'm not sure that
Pete
& Pete was influential in
terms of impact on other shows around that time or that came after,
but it was inarguably influential to a generation who grew up during
its brief run on TV. If you're unfamiliar with the show it may seem
odd to apply the label “influential” to something aimed at kids,
but that's the beauty of it. This was a show that was for children
but treated the audience like adults. It didn't need to spell out its
moral lessons or spend too much time explaining everything. Most
importantly, it was weird, but never in a way that felt cheap or
stupid. The characters play it straight, as if everything is normal
and expected, which makes everything feel even more weird. A better
description than 'weird' might be 'suburban surrealism.' Indeed,
there's a very specific tone and feel to
Pete & Pete
that inevitably led to its short
three season run and cult-beloved status.
Is this a still from a Wes Anderson movie or a kids show? You decide!
Much like other cult TV shows,
you either 'get' Pete & Pete
or you don't. Cult shows tend to be that way simply because they're
unique and can't easily be compared to other shows, and so most TV
viewers are less willing to give them a chance. This problem is
multiplied when it's a kids show because kids, even more than adults,
just want the same familiar things over and over. Maybe this is a
gross overgeneralization but hey, real talk: if you think there are
too many movie sequels, go take a look at how many sequels there are
to kids movies. But I digress. During its time on TV, Pete
& Pete was never a show that
I remember other kids talking about at school. Even on a kid's
channel with some other weird shit like Ren & Stimpy,
Pete & Pete was
like no other show before or since, and trying to explain to my
friends why it was awesome only got me looks of confusion or boredom.
As weird as Teenage Mutant Ninja Turtles
was when you first heard about it, even little boys can understand
its premise which boils down to a simple “cartoon about mutant
turtles who fight stuff.” With Pete & Pete there's
no simple summation to give. One episode is about surviving a family
road trip to the Hoover Dam, another is about trying to break a world
record by staying awake for 11 nights, and another is about faking
sick to stay home from school and how it gives you a new perspective
on everything.
Of all the kids shows from my youth,
Pete & Pete has held up the best. Most of the stuff I was
watching in the late 80s/early 90s is unwatchable dreck when you have
the mind of an adult but if anything I think I enjoy
Pete &
Pete more
now than I did when it was on TV. There were
even some jokes I didn't get until I was an adult, like the inspired
font jokes in the marching band episode and Iggy Pop calling someone
a 'stooge' in another. It says a lot that I could see that kind of
thing working on
Arrested Development or other cult show for
adults, and the episode about the telephone that won't stop ringing
vaguely reminds me of the general feel and plot formulas of modern
kids shows that appeal to adults like
Regular Show and
Adventure Time. And maybe even
My Little Pony: Friendship
Is Magic.
However, none of those is cool enough to have this in their opening title sequence
Earlier I said the show was
influential on me, and that's been true throughout my life. During
its initial run on TV, Pete & Pete presented
such a different take on the world that its point of view and sense
of humor began to rub off on me. It features surreal and absurdist
ideas but they're never done in a cloying way or overemphasized to
the point of insult. In fact the show has no self-awareness about any
of its eccentricities, to the point that children's baseball teams
called The Bacon Barn or Prosthetics can slip by you if you aren't
paying attention. I think somehow this casual-ness about being weird
helped me stop being so self conscious about how odd I was as a kid
(and continue to be today). Pete & Pete
tells the viewer “just be yourself” without needing a character
to literally state this out loud. By not explaining any of its
strange elements—Why did parents name both their sons Pete? What is
the story with Artie? How did Little Pete get a tattoo when he's only
a kid?—the show is implicitly telling you that you don't need to
explain yourself, either.
The other way the show has
influenced me is more of a subtle, longterm effect. See, one of the
best things about Pete & Pete
was that the creators were huge music fans. Various musicians
appeared as guest stars—whether it was Michael Stipe as an ice
cream seller or Iggy Pop as a recurring character—but more
crucially the show always used music from various indie rock bands.
The main soundtrack was provided by the band Miracle Legion
(performing under the name Polaris) and was released as a CD, but
there were many other bands who contributed a track or two in various
episodes. Being exposed to this kind of music as a kid must've
planted a seed that sprouted when I got older. Maybe I would've
eventually gone beyond the obvious mainstream pop music even without
Pete & Pete, but I
think it would've taken longer without hearing 'Tidal Wave' by The
Apples In Stereo and 'Satellite' by Luscious Jackson when I was
young.
Speaking of music...If I can say with
certainty that Radiohead's OK Computer was the key formative
discovery of my life that led me to become who I am today, then I can
also say that Pete & Pete helped to prepare me for liking
weird things. Which, in a way, led me to OK Computer. For
that, I'll be forever thankful.
Until next time, my little vikings...
2 comments:
It never really dawned on me that Pete & Pete was a weird show until I watched it as an adult. There was a lot of kooky shit going on, but it never felt like they were going out of their way to be strange or absurd. I took its weirdness at face value, which was also how I took in The State, Beavis & Butt-head, Ren & Stimpy, The Maxx / The Head, Rocko's Modern Life etc. etc. The ten year-old me didn't really understand the blatant sexuality of Æon Flux, but he did like the mutant superbaby that appeared in the final episode. Sometimes I forget that the nineties were a golden age for weird fucking shit, much more so than the zeros or the tens. Honestly, I think I appreciate Pete & Pete more now than I did back then. It's like the missing link between Jean Shepherd and Chris Elliott. I watched it regularly as a kid, but it wasn't something I discussed with my friends or classmates, which is kind of weird, because we talked about MST3K all the time, and there's no way we got the Larry Csonka or Bone Machine references. I guess it's too much to expect taste from a bunch of fifth graders.
Has anyone ever told you that you look like a bona fide Sludgesicle man?
Funnily enough, Chris Elliott was on Pete & Pete. I think it was the Sick Day episode.
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