Dylanology is an ongoing series of blog posts in which I'm chronologically going through Bob Dylan's studio discography. There may be some diversions along the way.
Although recorded before the
assassination of JFK, The Times They Are a-Changin' can't
help but feel like a solemn and serious response to that event and
the continuing struggle of the Civl Rights movement. Indeed, I don't
think you could fully understand what the early to mid 60s were like
without hearing this album, since it is interwoven with the fabric of
its time. Keep in mind, this is the post-Beatnik pre-Hippie era, a
very short timespan that's easy to pass over because the cultural
artifacts from either side of it are better known.
The Times They Are a-Changin'
as a whole feels like Dylan realizing the fight will be long and
hard. Even before JFK's death and the public outcry following an
infamous, inebriated speech delivered while receiving the Tom Paine
award (during which he said he 'saw something of himself in Lee
Harvey Oswald), Dylan was displaying cynicism and weariness far
beyond his years. Those unfamiliar with the early phase of Dylan's
career might be shocked at how dark Times
often is. Look up the story behind 'Ballad Of Hollis Brown' and 'Only
A Pawn In Their Game' or take a listen to 'One Too Many Mornings',
the latter of which would've made a great cover for Nick Drake. These
songs are a bummer.
There's no answers or hope to be had in these tales. On his first two
records, Dylan leavened the serious/political stuff with some witty
wordplay or contrasted them with a few lighter songs; not so much
here. Consider the two songs with “blues” in the title from the
preceding record, The Freewheelin' Bob Dylan.
They're among the most fun and whimsical on that album, while 'North
Country Blues' from Times
is a depressing folk song about the ruin of a woman, a town, or both.
Since
I've never really cared for politics being mixed into music, I find
The Times They Are a-Changin'
to be among Dylan's least enjoyable records. I'm not saying I
disagree with its point of view, since I'd have to be a racist
monster not to. Aside from 'Boots Of Spanish Leather' and the bitter
but fun 'When The Ship Comes In', though, the entire record is far
too dire and preachy for its own good. There is something to be said
for expressing these feelings and telling the stories that need to be
told to show the injustice of the world, but this also leaves Times
feeling like a historical artifact, or even like rhetoric instead of
music.
This
era saw the beginning of American youth becoming deeply involved in
politics, and Dylan was no different, it's tough to blame him for
making a record like this. After all, if he had been focused on 15th
century French poetry or horse racing, he'd have made songs about
that instead. Times is
a commentary on its environment in the same way other politically
charged records from other countries and eras become touchstones for
their era. The problem for me is that, while you can still enjoy
There's A Riot Going On
or some of Bob Marley's political stuff, The Times They Are
a-Changin' has such a sparse
musical style that once you've gotten the message, so to speak, it's
not a great record on sheer musical/songwriting terms. Since Dylan
immediately moved away from this 'voice of a generation' persona,
never again focusing so sharply on political material, one has to
wonder if he felt the same.
You
often hear people describe great art or artists as timeless, and
Dylan has produced more than his share of timeless art. However, the
opposite is sometimes true. Great art or artists can be timely, and
Times was timely
(pardon the pun). As with his first album, the songs have not stood
the test of time and feel very much 'of their time.' This doesn't
mean it's a bad record by any means, just that modern listeners will
have to do some research and contextualizing to fully grasp the
impact this must've had when released in January of 1964. This
strange period of time—post-Bob Dylan becoming famous/post-JFK
assassination and pre-Beatles arriving in America/pre-Civil Rights
Act of 1964—is captured eerily well on The Times They Are
a-Changin' even if it doesn't
make for a comforting, fun, or hopeful listen.
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