At any rate, Bay Of Pigs returns Bejar, at least conceptually, to the synth/keyboard heavy Your Blues. But where that album had a purposefully cheap MIDI sound to it, this one sounds clean, slick, modern, and like the work of a full band instead of a single lab rat. Various reviews have described the title track as disco-ish, but to these ears it's more like 80s synth-pop with a good sense of groove than it is some Saturday Night Fever dreck. At thirteen-and-a-half minutes, it also has time for eerie atmospheric intro and outro sections, and lets Bejar go on and on in his 'Tangled Up In Blue'/Dylan-esque storyteller mode, weaving yet more references to characters, places, and events from his body of work, as well as adding some new ones. 'Ravers', meanwhile, is a ghostly remake of the barrelhouse piano based rock of 'Rivers' from Destroyer's 2008 album, Trouble In Dreams. I do prefer the original version, since the words and phrasing style of it feel forced and awkward in this droning, ambient setting. But at the same time, I've never heard a song like this from Bejar before, and his distinctive vocals and lyrics work shockingly well in said setting. It's novel, sure, but not a novelty.
The same could be said for the EP. Whether Bejar pursues this direction for his next album with Destroyer is impossible to say. I hope he does, for whatever that's worth. Well, whatever does happen, it won't change the fact that Bay Of Pigs is a brilliant, challenging-but-rewarding EP.
5 Poorly Drawn Stars Out Of 5
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