1) Something Against You by Pixies: Here we have the Pixies in all their raw glory, yelling and loud guitars and fast rock. This is one of those songs that doesn't work on its own but in the context of an album, it's genius.
2) Slavin' Away (live) by The Fiery Furnaces: I honestly can't remember what album this is from. Originally, I mean; this here is the live version from their live album Remember. Turns out it's from Rehearsing My Choir, which makes sense since I don't really like that album. Yet this version makes me want to revisit it. Or, at the very least, force myself to listen to Remember all the way through in one sitting.
3) Full Throttle by The Prodigy: During one of my many drunken nights, I got the hankering to hear both their best known work (Fat Of The Land) and their most respect, Music For The Jilted Generation. I've always loved that album title. It's got that 'big, important, era defining' ring to it, doubly so for a mid 90s electronica album. I'm not entirely sure this kind of big beat music will survive or age unscathed, but I still admire the curiously psychedelic and drug addled elements of it all. If you haven't listened to Dig Your Own Hole by the Chemical Brothers in awhile, you might be surprised at what you hear. Regardless, The Prodigy are a group who's critical respect will come some day. Anyway, this is one of those good mid-album chuggers that keeps you moving between the bigger or slower tracks.
4) You Got Yr. Cherry Bomb by Spoon: Spoon grow more and more popular and beloved with each album yet they're never become too popular or released a sell out, bad album. Even the more poppy affair like this is pretty awesome. There's just something about their classicist pop/rock as approached from an indie rock perspective that I can't get enough of. And Britt Daniel Daniel has one of those voices that shouldn't be good yet is.
5) Dead by Pixies: Damn, this is the Pixies Sandwich Edition of Shuffling, isn't it, kids?? And this is oddly similar to 'Something Against You' in that I don't think this song works particularly well on its own but it works brilliantly in the context of the album. Why, as this song ends, I can just hear the lead in to 'Monkey Gone To Heaven' in my head...