Friday, September 16, 2011

Great Album Covers: Bitches Brew

I really did mean to post a review today, but I still haven't given Grouper's double album, A I A: Alien Observer/Dream Loss, enough time or listens to formulate a coherent opinion about.

Still, I recently let a friend borrow a Miles Davis boxset I own (The Cellar Door Sessions one) and it in turn forced me to finally listen to some electric Miles again. And hot damn!

Some of the by turns peaceful/stormy, Earthy/otherworldly music of Bitches Brew is previewed by this cover, so before you even hear the music you already, somehow, intuitively have a good idea of what it's going to sound like judging by the cover.

Extra points go for this being one of those awesome "the album art wraps around onto the back" covers, using the sweating woman as a sort of hinge between the two.
See? One could say it is truly bitchin'. If one were so inclined.

Tuesday, September 13, 2011

Saturday, September 10, 2011

Yuck- Yuck

It feels like every year a band leaps to the top of blogs and music websites simply by sounding like indie rock from years past. They're not part of any trends, new genres, or approaches to making music. They pretty much just sound like indie rock bands from the 80s or 90s, whether leaning more toward the literate/ironic Pavement, the loose and unhinged mid-to-late 90s Modest Mouse, the noisy guitar workouts of Sonic Youth, or the gold standard loud/quiet/loud dynamics of the Pixies. Granted there are other influences at play, but the end result is usually the same: bands with enjoyable, often exceptionally good, debut records who then fail to deliver the magic again and never get out of a rut. I like to call it Tapes N' Tapes Syndrome.

Yuck get around this problem, at least on their debut, by recording a fairly diverse set of songs, borrowing from many influences but never ripping anyone off. This means that while they sound like the more punishing side of Dinosaur Jr. on 'Get Away' and sludgy album closer 'Rubber', they don't sound like a Dinosaur Jr. cover band. Furthermore, the variety means you can't pin a single band to Yuck's sound, and you can't really label them anything other than the basic 'indie rock' because they range from noise-pop to jangly guitar pop. If you had only heard 'Suicide Policeman', for example, you would think Yuck sound like Yo La Tengo at their most mellow; hell, this track even has what is either marimbas or a xylophone and some horns on it. Then there's 'Suck', which has Built To Spill written all over it, down to the plaintive slide guitar sound. Yet in all these cases Yuck are not copycats so much as they are evoking the sound of other beloved bands.

However, there's a million different bands who sound like other bands, so what precisely makes Yuck so special and one of those most recent darlings of the indie press? It all comes down to songwriting and confidence. Oddly, then, watching live clips of Yuck on YouTube, you would never connect them with this record. They look and sound unrehearsed and nervous; their baby faced frontman looks like he had to fake sick from high school in order to be able to play the show. Give a listen to the album and they're practically a different band, brimming with hooks and self-assurance. Even if they're working inside well established sounds, Yuck are capable enough songwriters to stick out from the crowd.

Yuck won't win any points for originality, and there are going to be those longtime indie rock fans who feel like they're pandering to an audience with this album. As for me, I'm not sure whether what I'm about to say is praise or condemnation, but I'm going to say it anyway: Yuck is the kind of record I want to criticize for sounding too much like other bands yet it does it so well that it almost seems original. And besides, I've listened to this record too many times to talk myself into knocking off a star or two because it sounds like other music I love.

5 Poorly Drawn Stars Out Of 5

Wednesday, September 7, 2011

Friday, September 2, 2011

Weekly Whiskey Episode 20.5


A special episode of Weekly Whiskey, since I don't be posting much due to the three day weekend!

Thursday, September 1, 2011

Great Album Covers- Dragging A Dead Deer Up A Hill

My original inspiration for doing this blog series about album covers came from a random old booklet that was included with some records I had ordered from Insound.com In it, there was an essay from someone talking about Grouper's Dragging A Dead Deer Up A Hill, and it really got me to thinking about how certain album covers had filled me with strong feelings, like dread or sadness or love, in a similar way to what the essay was talking about.

I have to confess that for some reason the album art never shows up when I play this album in iTunes, and I don't own the vinyl, so the cover art rarely occurs to me when I listen to the album. The music seems more tranquil and...aquatic than this cover would make you think. It's also a more accessible record than her new double album, but I'll get to that eventually.

I feel like the lighting is what makes this cover work. If it were better lit, it would look like a silly little girl in a Halloween costume pouting at her parents. But with some haze and darkness going on, the little girl becomes a figure of uncertain menace, like coming across Bigfoot in the forest and being unsure how afraid you should be.

Tuesday, August 30, 2011

Weekly Whiskey Episode 20


Yet another faithfully delivered-ahead-of-schedule episode of Weekly Whiskey. Ask for it by name.